Léon Wilma Loïs Radegonde
Born in 1950. Lives and works in Victoria, Seychelles.
Léon was born in the Republique of Seychelles, on the island of La
Digue, where he spent his childhood. He went on to study on the island of Mahé
at the Seychelles College, after receiving a scholarship for secondary school.
His interest in art came when he was 17 years old. Since art was not on
the school curriculum, he nurtured his curiosity through books, while
practicing drawing and painting on his own. He sought advice and received
encouragement from various people on the island. At 19 years old, he
successfully completed his A-Level as well as O-Level studies in art.
In the years following, he traveled to Quebec, Canada to complete a
degree in French, while taking evening classes in art. At 25, he went to the
University of Newcastle-upon-Tyne, UK to train as a French teacher. The
university also accepted his request to train as an art teacher, even though he
had no advance art training.
At 26, for four years, he taught at the Teacher Training College.
Following this period he received a scholarship to do formal art studies at the
University of Hante, Bretagne, France for 2 years. Afterwards he returned to
Teacher Training College as both a French and art teacher, where he remained
for 12 years.
He returned to the Seychelles to work at the Cultural Ministry for 18
years, with his last post being the director of the Kreol Institute. All the
time during his tenure, he practiced and exhibited his art, researching and
experimenting with media and techniques.
In 1988, as chairman of the Association of Seychellois artists, he
helped create the Biennale of Seychelles, dormant since 1996.
Since 2003, he has devoted his full attention to his art, as an “artiste-plasticien”.
His works uses unconventional methods derived from found objects, material and
images. Although the subject matter is deeply rooted in his identity and
experience as a Seychellois, he looks to transcend national borders.
“I have recourse to the trivial, be it in terms of image, material or
object, whether found or recreated, to create my own visual vocabulary and
imagery. I also look to various forms of cultural sources, be they traditional,
ancient or modern, for inspiration.”
“Historical and unconventional art references provide further
guidelines and guidance. The work I would like to propose for the Venice
Biennale will be an attempt to synthesize those various influences and sources,
and to further document notions of time, age, and identity that are central to
2015 56th Venice
Biennale, Seychelles Pavilion, Venice, Italy
2011 “One World”, solo
exhibition, Munich, Germany
2009 “Modernity in African Art
Today”, Pan African exhibition, Algiers, Algeria
2008 “Shades of black”, solo
exhibition, Victoria, Seychelles
2008 “Artist in Residence”
exhibition, Bag Factory, Johannesburg, South Africa
2006 “Salanm sorti ladig”,
solo exhibition, Afronova Gallery, Johannesburg, South Africa
“Travay trouve”, solo exhibition, Victoria,
2005 Carrefour des créateurs, Saint Denis, Réunion Island
2004 “Ré-union”, solo exhibition, Alliance Française, Victoria,
2003 “San Tit”, solo exhibition, Alliance Française, Victoria,
1996 “Desen Portre”, solo exhibition, National Art Gallery, Victoria,
1994 4th Biennale of Seychelles, Victoria, Seychelles
1992 3rd Biennale of Seychelles, Victoria, Seychelles
1991 “Creole Impressions”, Plantation Club, Seychelles
7th Triennale of India, New Delhi,
1990 2nd Biennale
of Seychelles, Victoria, Seychelles
1988 “Drawings and Collages”,
solo exhibition, Carnegie, Victoria, Seychelles
1st Biennale of Seychelles, Victoria, Seychelles
Exposition régionale, Musée Léon-Dierx, Saint
Denis, Réunion Island
1986 2nd Biennale
of Havana, Wifredo Lam Centre, Cuba
Seychelles Week in
Greece, Athens, Greece
and its Painters”, Altana Gallery, Hamburg, Germany
1978 Group show, Grand Palais,
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